Eagles - Try and Love Again Lyrics

1976 studio album by the Eagles

Hotel California
Hotelcalifornia.jpg
Studio album past

the Eagles

Released Dec viii, 1976[one]
Recorded March – October 1976
Studio
  • Criteria (Miami)
  • Tape Constitute (Los Angeles)
Genre Stone
Length 43:28
Characterization Asylum
Producer Bill Szymczyk
Eagles chronology
Their Greatest Hits (1971–1975)
(1976)
Hotel California
(1976)
The Long Run
(1979)
Singles from Hotel California
  1. "New Kid in Town"
    Released: December vii, 1976[1]
  2. "Hotel California"
    Released: February 22, 1977[i]
  3. "Life in the Fast Lane"
    Released: May three, 1977[i]

Hotel California is the fifth studio album by American rock band Eagles. The album was recorded past Pecker Szymczyk at the Criteria and Record Found studios between March and October 1976, and so released on Aviary in Dec. It was their get-go anthology with guitarist Joe Walsh, who had replaced founding fellow member Bernie Leadon, and is the terminal album to characteristic bassist Randy Meisner. The front encompass is a photo of the Beverly Hills Hotel past David Alexander.

Hotel California topped the United states Billboard Top LPs & Tapes chart. At the 20th Grammy Awards, the Eagles won a Grammy Honor for "Hotel California", which won Record of the Year, and for "New Kid in Boondocks". The album was nominated for Album of the Year but lost to Fleetwood Mac's Rumours. Three singles were released from the album, with two topping the Billboard Hot 100, "New Kid in Town" and "Hotel California", whilst "Life in the Fast Lane" reached No. 11.

Hotel California is one of the acknowledged albums of all time. Information technology has been certified 26× Platinum in the United states of america, and has sold over 32 million copies worldwide, making it the band's best-selling album afterward Their Greatest Hits (1971–1975).[2] It has been ranked as one of the greatest albums of all fourth dimension. In 2003 and 2012, information technology was ranked number 37 on Rolling Rock 's list of "The 500 Greatest Albums of All Fourth dimension". A 40th anniversary special edition of Hotel California was released in November 2017.

Theme

The first song written for the anthology was "Hotel California", which became the theme for the album.[3] Henley said of the themes of the songs in the album:

They're the same themes that run through all of our work: loss of innocence, the cost of naiveté, the perils of fame, of excess; exploration of the dark underbelly of the American dream, idealism realized and idealism thwarted, illusion versus reality, the difficulties of balancing loving relationships and work, trying to square the alien relationship between business organization and art; the corruption in politics, the fading away of the Sixties dream of "peace, dearest and understanding."[three]

On the championship "Hotel California", Henley said that "the word, 'California,' carries with it all kinds of connotations, powerful imagery, mystique, etc., that fires the imaginations of people in all corners of the globe. At that place'due south a built-in mythology that comes with that word, an American cultural mythology that has been created by both the moving-picture show and the music industry."[three] In an interview with the Dutch magazine ZigZag shortly earlier the album's release, Don Henley said:

This is a concept album, there'due south no manner to hide information technology, just it's non set in the old West, the cowboy matter, you know. It'due south more urban this time (…) It'south our bicentennial yr, y'all know, the state is 200 years one-time, and so nosotros figured since we are the Eagles and the Eagle is our national symbol, that we were obliged to brand some kind of a little bicentennial argument using California as a microcosm of the whole United states, or the whole world, if you volition, and to try to wake people up and say 'We've been okay then far, for 200 years, but we're gonna take to change if we're gonna proceed to be effectually.'"[four]

Composition

Bernie Leadon, who was the primary country influence in the ring, left the band after the release of the previous album One of These Nights. For Hotel California, the band fabricated a conscious decision to move abroad from country rock, and wrote some songs that are more rock & roll, such as "Victim of Love" and "Life in the Fast Lane". Leadon was replaced past Joe Walsh who provided the opening guitar riff of "Life in the Fast Lane" that was so developed into the song. The title for "Life in the Fast Lane" was inspired by a conversation between Frey and his drug dealer during a high speed car ride.[five]

The chord progression and basic tune of the title track, "Hotel California", was written past Don Felder. Don Henley wrote nigh of the lyrics, with contributions from Glenn Frey. Henley noted that the hotel had become a "literal and symbolic focal point of their lives at that time", and it became the theme of the vocal. Frey wanted the song to be "more cinematic", and to write it "just like it was a movie". Henley sought inspiration for the lyrics by driving out into the desert, every bit well as from films and theatre.[6] Parts of the lyrics of "Hotel California" too as the vocal "Wasted Time" were based on Henley's break up with his then girlfriend Loree Rodkin.[7] [viii]

Frey, in the "Hotel California" episode of In the Studio with Redbeard, spoke about the writing of "The Last Resort". Frey said: "It was the start time that Don took information technology upon himself to write an epic story and nosotros were already starting to worry about the environs… we're constantly screwing up paradise and that was the point of the song and that at some point there is going to be no more than new frontiers. I mean we're putting junk, er, garbage into space now."[9]

Recording

The album was recorded between March and October 1976 at Criteria Studios, Miami and Record Institute Studios, Los Angeles, and produced by Pecker Szymczyk.[10] Although the band favored Los Angeles, the producer Szymczyk wanted to record in Miami as he had developed a fright of living on a fault line in Los Angeles later on experiencing an convulsion, and a compromise was then struck to separate the recording at both places.[five] While the band were recording the album, Blackness Sabbath were recording Technical Ecstasy in an side by side studio at Criteria Studios in Miami. The ring was forced to cease recording on numerous occasions considering Black Sabbath were too loud and the sound was coming through the wall.[eleven] The concluding track of the album, "The Terminal Resort" had to be re-recorded a number of times due to noise from the next studio.[5]

For the title track "Hotel California", subsequently the arrangement and instrumentation had been refined, several takes were recorded. The best parts were and then spliced together, in all 33 edits on the two‑inch principal, to create the final version.[10] In contrast, "Victim of Love" was recorded in a live session in studio apart from the lead vocal and the harmony on the choruses which were added after. Don Felder initially sang the atomic number 82 vocals in the many early on takes for the vocal, but the ring felt that his efforts were not up to the required standard, and Henley and then took over as the lead.[5]

According to Henley in a 1982 interview, the Eagles "probably peaked on Hotel California." Henley said: "After that, we started growing apart as collaborators and as friends."[12]

Artwork

Eagles performing "Hotel California" in 2010 with the paradigm from the album cover in the background

The front end embrace artwork is a photograph of The Beverly Hills Hotel shot only before sunset by David Alexander with design and fine art management past Kosh.[13] Co-ordinate to Kosh, Henley wanted him to detect a place that can portray the Hotel California of the anthology title, and "portray it with a slightly sinister edge". Three hotels were photographed, and the ane with The Beverly Hills Hotel was selected as the encompass. The lensman shot the image 60 feet above Dusk Boulevard on pinnacle of a ruby picker.[xiv] As the image was taken from an unfamiliar vantage point in fading light, most people did not initially recognize the hotel. All the same, when the identity of Beverly Hills Hotel was revealed, the hotel threatened legal activity over the utilize of the image.[5]

The rear anthology cover was shot in the lobby of the Lido Hotel in Hollywood.[15] [sixteen] The gatefold epitome shows the same lobby but filled with members of the band and their friends. Henley said: "I wanted a collection of people from all walks of life, It'due south people on the border, on the fringes of society." A shadowy figure appears on the balcony above the lobby, which led to speculations over the person's identity.[17]

Kosh designed a Hotel California logo as a neon sign which was used on the album cover and in its promotional materials. Every bit it proved hard to curve real neon tubings into the desired shape of the script, the neon issue of the logo was achieved with airbrush past Bob Hickson. Boosted portraits of the band used in the anthology bundle and promotional materials were shot past Norman Seeff.[fourteen]

Release

The album was released past Asylum Records on Dec eight, 1976, in vinyl, cassette and 8-track cartridge formats. Information technology was considered for quadraphonic release in early 1977, just this idea was dropped post-obit the demise of the quadraphonic format. On the anthology's 25th anniversary in 2001, it was released in a Multichannel 5.1 DVD-Audio disc. On August 17, 2011, the album was released on a hybrid SACD in Nihon in The Warner Premium Sound series, containing both a stereo and a 5.1 mix.[18]

Original vinyl pressings of Hotel California (Elektra/Aviary catalog no. 7E-1084) had custom pic labels of a blue Hotel California logo with a yellow background. These likewise had text engraved in the run-out groove of each side, continuing an in-joke trend the ring had started with their third album On the Border. The text reads: Side one: "Is It six O'Clock Withal?"; Side two: "5.O.Fifty. Is Five-Piece Live", indicating that the song "Victim of Dear" was recorded in a live session in studio, with no overdubbing. Joe Walsh and Glenn Frey confirm this on the inner booklet of The Very All-time Of.[xix] This only referred to the instrumental rail, however; the lead vocal and harmony for the chorus were added after. This was in response to those who criticized the Eagles' practice of copious overdubbing of instruments and that they were too clinical and soulless in the studio. They wanted to demonstrate that they could play together without overdubs if they wanted to.[v]

A 40th anniversary palatial edition was released on November 24, 2017. The set includes the original remastered album, and a second CD that features 10 live tracks from the concert at The Forum, recorded in October 1976 two months earlier the original release of the album.[twenty]

Critical reception

Retrospective professional reviews
Review scores
Source Rating
AllMusic [21]
Christgau's Record Guide B[22]
The Encyclopedia of Popular Music [23]

Hotel California was met with generally positive reviews. Village Vocalisation critic Robert Christgau felt it was their "most substantial if not their most enjoyable LP",[22] while Charley Walters of Rolling Stone felt it showcased "both the best and worst tendencies of Los Angeles-situated rock".[24] Both critics picked up on the album'south California themes – Christgau remarking that while information technology may in places exist "pretentious and condescending" and that "Don Henley is incapable of conveying a mental land as complex equally cocky-criticism", the band couldn't have written the songs on side i "without caring about their California theme downwards deep";[22] Walters in dissimilarity felt the "lyrics present a convincing and unflattering portrait of the milieu itself", and that Don Henley's vocals express well "the weary disgust of a victim (or observer) of the region's luxurious backlog".[24] Billboard gave the album loftier praise: "The casually cute, quietly-intense multileveled vocal harmonies and brilliant original songs that meld solid emotional words with lovely tune lines are all back in force, keeping the Eagles at the peak of acoustic electric soft stone." It noted that, even though the album did not try out any new departure other than the "Procol Harum-type" title rail, "the anthology proves that in that location's a lot more left to explore profitably and artistically in the L.A. countryish-rock style."[25] [26]

Retrospective reviews have as well been positive. Robert Hilburn of the Los Angeles Times, writing after the band broke upwardly, called the album "a legitimate rock masterpiece", in which the ring "examined their recurring theme near the American Dream with more precision, ability and daring than always in such stark, uncompromising songs as "Hotel California" and "The Concluding Resort"."[27] William Ruhlmann from AllMusic later said "Hotel California unveiled what seemed well-nigh similar a whole new band. It was a ring that could exist flatulent, but as well one that fabricated music worthy of the later tag of 'archetype stone', music appropriate for the arenas and stadiums the band was playing."[21] Steve Holtje, writing for CultureCatch in 2012, felt that even though "an awful lot of the album is snarky whining from co-leaders Don Henley and Glenn Frey, ii guys who didn't really seem similar they had that much they could legitimately complain about", in the concluding analysis "Hotel California and the underrated concept album Desperado stand as the group's greatest statements".[28]

Accolades

Hotel California was the Eagles' 6th album (including Their Greatest Hits (1971–1975)), and fifth of original fabric. It became a critical and commercial success. In a poll of stone critics and DJs in 1987, it was ranked 48 out of 100.[29] In a public poll for the 1994 edition of All Time Elevation 1000 Albums, it was voted number 107,[30] and then number 67 in the 2000 edition.[31] In 2001, the Television network VH1 placed Hotel California at number 38 on their 100 Greatest Albums of All Time list. Hotel California was ranked 13th in a 2005 survey held by British television set's Aqueduct 4 to determine the 100 greatest albums of all fourth dimension. In 2003, the album was ranked number 37 on Rolling Stone magazine's listing of the 500 greatest albums of all time,[32] maintaining the rating in a 2012 revised list,[33] dropping to number 118 in the 2020 reboot of the list.[34]

The song "Hotel California" was ranked number 49 on Rolling Stone 's list of "The 500 Greatest Songs of All Fourth dimension" in 2004.[35] It maintained the ranking in 2010,[36] and was re-ranked at number 311 in 2021.[37]

Awards and nominations

The album was nominated for several Grammy awards in 1978 and its title track "Hotel California" won the Record of the Year. The band manager Irving Azoff still refused requests past the Grammy producer for the band to attend or perform at the ceremony unless a win was guaranteed. The ring therefore did not appear at the ceremony to collect their awards. Henley subsequently said: "The whole idea of a contest to see who is 'best' just doesn't entreatment to us."[5]

Twelvemonth Award Nominee Category Result
1978 Grammy Eagles for "Hotel California" Record of the Year Won
Eagles for "New Kid in Boondocks" Best Arrangement For Voices Won
Eagles for Hotel California Best Popular Vocal Performance by a Group Nominated
Eagles for Hotel California Anthology of the Twelvemonth Nominated
Bill Szymczyk Producer of the Year Nominated

Commercial functioning

The album get-go entered the US Billboard 200 at number four,[38] reaching number one in its 4th week in January 1977.[28] [39] It topped the chart for viii weeks (non-consecutively), and it was certified platinum by the Recording Manufacture Association of America (RIAA) in a calendar week of release.[40] In its first year of release information technology sold nearly 6 one thousand thousand copies in the Usa,[41] and by July 1978 it has sold 9.5 million copies worldwide (vii meg in the United states of america and 2.5 million elsewhere internationally).[42] On March 20, 2001, the anthology was certified 16x platinum past the Recording Industry Clan of America, denoting shipment of sixteen million in the United states,[40] [43] and had sold over 17 million copies in the Us by 2013.[44] Worldwide the album has sold 32 million copies.[45] On August xx, 2018, the anthology was certified 26× platinum by the RIAA for 26 meg units consumed in the U.s. under the new system that tallies album and digital track sales also as streams.[46]

The album produced two number one hit singles on the US Billboard Hot 100: "New Kid in Town", on Feb 26, 1977, and "Hotel California" on May 7, 1977.[47]

Track listing

Side ane
No. Championship Writer(s) Lead vocals Length
1. "Hotel California"
  • Don Felder
  • Don Henley
  • Glenn Frey
Don Henley vi:30
2. "New Kid in Town"
  • Henley
  • Frey
  • J.D. Souther
Glenn Frey 5:04
3. "Life in the Fast Lane"
  • Henley
  • Frey
  • Joe Walsh
Henley 4:46
four. "Wasted Time"
  • Henley
  • Frey
Henley four:55
Side 2
No. Title Writer(s) Lead vocals Length
one. "Wasted Time" (Reprise)
  • Henley
  • Frey
  • Jim Ed Norman
instrumental 1:22
2. "Victim of Love"
  • Felder
  • Henley
  • Frey
  • Souther
Henley iv:11
3. "Pretty Maids All in a Row"
  • Walsh
  • Joe Vitale
Joe Walsh iv:05
4. "Try and Honey Again" Randy Meisner Randy Meisner 5:10
v. "The Last Resort"
  • Henley
  • Frey
Henley 7:25
40th Anniversary Edition Bonus Disc (Live at the LA Forum October xx–22, 1976)
No. Title Writer(s) Lead vocals Length
1. "Accept It Piece of cake"
  • Frey
  • Jackson Browne
Frey 4:48
ii. "Take It To The Limit"
  • Henley
  • Frey
  • Meisner
Meisner v:nineteen
iii. "New Kid In Boondocks"
  • Henley
  • Frey
  • Souther
Frey four:53
4. "James Dean"
  • Henley
  • Frey
  • Souther
  • Browne
Frey 3:50
5. "Cheerio In Hell"
  • Henley
  • Frey
Frey and Henley 5:29
vi. "Witchy Woman"
  • Henley
  • Bernie Leadon
Henley four:21
vii. "Funk 49"
  • Walsh
  • Dale Peters
  • Jim Fox
Walsh 4:04
viii. "One Of These Nights"
  • Henley
  • Frey
Henley 3:53
9. "Hotel California"
  • Felder
  • Henley
  • Frey
Henley half-dozen:fifty
ten. "Already Gone"
  • Jack Tempchin
  • Robb Strandlund
Frey 5:16

Personnel

Adjusted from AllMusic.[48]

Eagles

  • Don Felder – guitars, backing vocals, pedal steel (on The Last Resort)
  • Glenn Frey – guitars, backing vocals, keyboards, pb vocals
  • Don Henley – drums, percussion, lead vocals, bankroll vocals, synthesizer
  • Randy Meisner – bass, backing vocals, lead vocals, guitarrón
  • Joe Walsh – guitars, keyboards, backing vocals, pb vocals

Production

  • Bill Szymczyk – producer, mixing
  • Allan Blazek, Bruce Hensal, Ed Mashal, Bill Szymczyk – engineers
  • Jim Ed Norman – cord arrangements, conductor
  • Sid Sharp – concert main
  • Don Henley, John Kosh – art management
  • John Kosh – design
  • David Alexander – photography
  • Kosh – artwork
  • Norman Seeff – poster design
  • Ted Jensen – mastering and remastering
  • Lee Hulko – original LP mastering

Charts

Certifications and sales

See as well

  • Listing of best-selling albums
  • List of acknowledged albums in the The states
  • List of diamond-certified albums in Canada
  • Listing of Billboard 200 number-one albums of 1977

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Source: https://en.wikipedia.org/wiki/Hotel_California_(Eagles_album)

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